Beyond the geometric complexity of Libeskind’s architecture, we want to draw attention to this curtain wall without transoms that closes the double height entrance hall of the Grand Canal Theatre.
The objective is to enhance the verticality of the plane through relatively close mullions and the absence of transoms. Unfortunately, the black sealing cord takes on unexpected protagonism among a tangle of white profiles, clear glass and most of the finishes in the hall, which are also white.
