Heavy: > 125 kg/m2

What is hidden behind this ceramic tile cladding in the form of bricks? A thermal insulation material fixed over a real brick wall. Far from trying to cheat us, the cladding reveals the fact that it is not even self-bearing through peculiar “rigging”. The ETICS façade systems allow many other finishing materials in addition to renderings.

The new building for the Dexeus Institute in Barcelona is one of the cases in which the openings completely divide the façade into horizontal strips. Consequently, the façade is not mechanically interrupted by the main structure but by the openings.

The Inbisa Tower case study enables us to highlight the subtle design strategies that make a building with four apparently identical façades so suggestive.

The façade is organized from several overlapping grids. Pillars and slabs cladded in aluminium create the main order: a grid on the scale of the structural system. Over this grid, some mullions define a second order on the scale of the windows. This second order runs literally over the first grid, regardless of whether what is behind is blind or transparent, breaking the rigidity and scale of the main order.

The unfinished Plaça d’Europa project arises from a contradiction. The objective was to provide the city of Barcelona with a more representative entrance from the airport, with towers that appear to be of tertiary use. And we say “appear to be” because many of these towers were in fact designed for residential use. This contradiction justifies the façade solution adopted in the towers.

The façade of the Renaissance hotel in L’Hospitalet has a peculiar thermal behaviour. It is based on retarding thermal loss with the concrete wall (thermal inertia), while minimizing the thermal difference between the two sides of this wall with a closed air cavity on its outer side. This closed air cavity has its thermal insulation improved by a reflective membrane coating one of its sides.

The Hotel Omm facade seems to us an interesting case study in many regards. It was a wise strategy to orient the openings towards the main avenue, Passeig de Gràcia, thus avoiding prying eyes from the building on the opposite side of the street as well as direct solar gain. Also, the bold materialization of this strategy involved transforming the outer layer of a rain screen façade into a series of lightweight walls that emerge from the façade as fish scales.

Glass, lightness and transparency is the message the façade of this police headquarters was designed to give. It achieves this even though the façade is neither light nor transparent. The horizontal serigraphy combined with the thin eaves projecting shadow over the façade give an image of dynamism. Those eaves are randomly distributed even in the opaque area of the façade.

The architects used an ETICS solution for the façade of this public library in Sant Gervasi. Formally, the solution is very appropriate. The continuous coating provided by the mortar rendering defines a series of abstract volumes as an extension of Villa Florida’s garden. 

It is difficult to understand the need for building this thick, load bearing, cast in-situ concrete wall hidden behind a light cladding composed of different layers: mineral wool, coloured ribbed plates and glass slats. On the inside, the concrete wall is again hidden, on this occasion by furniture. The climbing formwork system that made this wall possible had to be successively cut to adapt to the changes in the diameter and curvature of the tower. The preparation of the reinforcement must have been equally difficult.

This mixed-use complex apparently resorts to the use of ceramics to integrate the building into a historic industrial district that still conserves nineteenth-century architecture: 22@ in Barcelona. However, the use of a specific material is not enough to consider that a building is integrated into a context.

Material is not simply matter: it is a format, a construction technique and a system. What emerges from all this is a character of place that transcends the material.