Stone | facad3s

Artistic Complex in Vilafamés (C.011)

Beneath the shadow of Vilafamés castle and under the look of Sang's church we find our site, a gap happening at the end of the crooked narrow streets of the medieval village. A place where diverse ruins generate different levels in the steep terrain, thus, we will make use of the course to stablish a rhythm and a system for this place.

Gabion latticework (075)

This façade is not watertight and it is not airtight. Depending on the density and size of the stones, it protects against direct sun radiation but without managing the visual relationship with the outside. It considerably blocks the entry of light, gives privacy and protects from intrusion. If it is true that, together with a drained cavity, it would constitute a watertight envelope, but it seems that this is not the case here.

Lightweight marble-looking facade (071)

It is not possible to talk about facades without mentioning a very unique façade for the moment when it was built, and that even today continues being a reference.

The first point that draws our attention is the constructive system of own design, lightweight, based on a system of mullions (similar to a curtain wall). Despite the verticality imposed by the system, clearly visible from the outside elevation, the interior gives a fairly conventional image of blind parapet and horizontal windows.

A checkerboard pattern passing over the slabs (064)

This is an excellent proposal for solving façade composition with a rectangular format checkerboard pattern (the blind and hollowed areas only touch at the apex), avoiding the presence of the slab.

Those who have faced this situation will know how difficult it is to unite at a vertex two openings on different floors, separated by a slab, without showing the thickness of this structural element.

Horizontal strips at Dexeus facade (035)

The new building for the Dexeus Institute in Barcelona is one of the cases in which the openings completely divide the façade into horizontal strips. Consequently, the façade is not mechanically interrupted by the main structure but by the openings.

Peeled off skin at Omm Hotel (047)

The Hotel Omm facade seems to us an interesting case study in many regards. It was a wise strategy to orient the openings towards the main avenue, Passeig de Gràcia, thus avoiding prying eyes from the building on the opposite side of the street as well as direct solar gain. Also, the bold materialization of this strategy involved transforming the outer layer of a rain screen façade into a series of lightweight walls that emerge from the façade as fish scales.

Light façade for hotel use (040)

Years after the construction of the AC hotel in the Forum area, the one in Sants was built. The construction solution adopted for the rainscreen façade is practically the same in both cases. Again, a lightweight enclosure is employed when the use demands low thermal mass solutions. Again, a reinforced frame supporting the window is the structure required to release an opening in this unidirectional façade structure.

Partially prefabricated rain screen in ZFC (030)

If the inner layer of the rainscreen façade at the Hotel AC was innovative, the proposal for the neighbouring office tower for the Zona Franca Consortium was even more so. Again, the exterior image is a sober stone skin anchored over aluminium profiles. However, on this occasion the inner layer made of boards over steel framing was prefabricated and arrived at the site as panels.

A granite skin hiding a light interior enclosure (028)

The AC Hotel was one of the first buildings in Barcelona in which a ventilated façade system was used with a light inner layer made of cement boards over metal folded sheet profiles.

Since then, these systems have evolved to provide a clearer solution regarding the continuity of the thermal insulation and air tightness. This is achieved by improving the solution in the slab edge and with the adequate treatment of joints.

Curtain wall blind facade (005)

The building that B01 Architects built for Carburos Metálicos in Barcelona's Carrer d'Aragó, and some of the works of Catalan architects Tous i Fargas, illustrate the need, at that time, of developing industrialized construction systems for the blind area of the facade. The aim was to build a blind façade with a technology similar to that used by the glass and aluminium industry for glazed envelopes.